Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop made "Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance" available on April 1, 2005. The duration of Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 22 in Bartok: Miraculous Mandarin (The) (Complete Ballet) / Hungarian Pictures / Dance Suite by Béla Bartók. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance by Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mikrokosmos: 7 Pieces for 2 Pianos, 4 Hands, BB 120: No. 7. Ostinato: Vivacissimo (arr. of Vol. 6, No. 146) | Béla Bartók, Ditta Bartok-Pasztory, Maria Comensoli | D Major | 2 | 10B | 143 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Enigma Variations: Variation XIV. E.D.U - Allegro | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 2 | 9B | 88 BPM | ||
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM | ||
Nixon in China, Act II Scene 2: Young as We Are (Live) | John Adams, Melissa Malde, Julie Simson, Jennifer DeDominici, Colorado Symphony, Marin Alsop | A♭ Major | 2 | 4B | 138 BPM | ||
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | A♭ Minor | 2 | 1A | 144 BPM | ||
The Firebird Suite (1919 Version): VI. Lullaby | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 0 | 1A | 170 BPM | ||
La Mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 1 | 3B | 86 BPM | ||
Traditional Slavic Christmas Music | Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 79 BPM | ||
Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins | Claude Debussy, Concertgebouworkest, Bernard Haitink | G Major | 1 | 9B | 172 BPM |
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