Nixon in China, Act II Scene 2: Young as We Are (Live) - John Adams, Melissa Malde, Julie Simson, Jennifer DeDominici, Colorado Symphony, Marin Alsop Information

Acousticness: 86%
Danceability: 20%
Energy: 18%
Instrumentalness: 20%
Liveness: 69%
Loudness: 59%
Speechiness: 11%
Valence: 4%
Popularity: 1%
Loudness: -24.406 dB

Summary

"Nixon in China, Act II Scene 2: Young as We Are (Live)" by John Adams, Melissa Malde, Julie Simson, Jennifer DeDominici, Colorado Symphony, Marin Alsop was released on October 27, 2009. The duration of Nixon in China, Act II Scene 2: Young as We Are (Live) is about 3 minutes long, at 3:01. Based on our data, "Nixon in China, Act II Scene 2: Young as We Are (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Adams, Robert Orth, Maria Kanyova, Thomas Hammons, Marc Heller, Tracyy Dahl, Chen-Ye Yuan, Colorado Symphony, Marin Alsop's "John Adams: Nixon in China (Live)" album is number 5 out of 41. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Nixon in China, Act II Scene 2: Young as We Are (Live)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nixon in China, Act II Scene 2: Young as We Are (Live) BPM

We consider the tempo marking of Nixon in China, Act II Scene 2: Young as We Are (Live) by John Adams, Melissa Malde, Julie Simson, Jennifer DeDominici, Colorado Symphony, Marin Alsop to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Nixon in China, Act II Scene 2: Young as We Are (Live) Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adams: Girls of the Golden West, Act II Scene 4: Blessed and praised	John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore	A Major	0	11B	79 BPM
Adams: Girls of the Golden West, Act II Scene 4: I'm going far away from my creditors	John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore, Hye Jung Lee, Paul Appleby	A Major	0	11B	79 BPM
Siren' (Lilacs), Op. 21, No. 5	Sergei Rachmaninoff, Yevgeny Sudbin	A♭ Major	0	4B	71 BPM
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano)	Gustav Mahler, John Gribben, Edward Wolanin	F Major	0	7B	71 BPM
Britten: Night Piece "Notturno"	Benjamin Britten, Stephen Hough	E♭ Major	0	5B	67 BPM
House of Woodcock	Jonny Greenwood	D Minor	1	7A	67 BPM
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento	Antonín Dvořák, Pavel Haas Quartet	D Minor	0	7A	87 BPM
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento	Antonín Dvořák, Škampa Quartet	D Minor	0	7A	87 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Minor	1	7A	174 BPM
Frontiers: II. Second Movement	Oliver Davis, Kerenza Peacock, Paul Bateman	E Major	2	12B	37 BPM

ISRC: HKI190891405
Label: L-M Records/RCA Records

Section: 0.6879281997680664

End: 0.6963553428649902