"Adams: Girls of the Golden West, Act II Scene 4: I'm going far away from my creditors" by John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore, Hye Jung Lee, Paul Appleby was released on April 26, 2024. Since Adams: Girls of the Golden West, Act II Scene 4: I'm going far away from my creditors is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Adams, Los Angeles Philharmonic's "John Adams: Girls of the Golden West" album is number 16 out of 20. On top of that, United States appears to be the country where this track was created. Adams: Girls of the Golden West, Act II Scene 4: I'm going far away from my creditors is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adams: Girls of the Golden West, Act II Scene 4: I'm going far away from my creditors by John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore, Hye Jung Lee, Paul Appleby to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Night Piece "Notturno" | Benjamin Britten, Stephen Hough | E♭ Major | 0 | 5B | 67 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
China Gates | John Adams, Yuja Wang | E♭ Minor | 1 | 2A | 161 BPM | ||
Spiegel im Spiegel for Violin and Piano | Arvo Pärt, Vadim Gluzman, Angela Yoffe | B♭ Major | 0 | 6B | 93 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi | F Major | 3 | 7B | 124 BPM | ||
Das Rheingold, WWV 86A: Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM | ||
Jeux D'Eau | Maurice Ravel, André Laplante | A Major | 1 | 11B | 65 BPM | ||
Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
The Rite of Spring, Part 1: I. Adoration of the Earth | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 79 BPM |
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