"Das Rheingold, WWV 86A: Vorspiel" by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1968. With this song being about 5 minutes long, at 4:35, "Das Rheingold, WWV 86A: Vorspiel" by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Das Rheingold by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #1 out of 44 tracks. Based on our data, Germany was the country where this track was produced or recorded. Das Rheingold, WWV 86A: Vorspiel is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold, WWV 86A: Vorspiel by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Das Rheingold, WWV 86A: Vorspiel being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Symphony No. 4 in E-Flat Major, WAB 104, "Romantic": III. Scherzo - Live | Anton Bruckner, Günter Wand | D♭ Major | 1 | 3B | 125 BPM | ||
The Planets, Op.32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Sir Colin Davis | A♭ Major | 4 | 4B | 79 BPM | ||
Symphony No.9 In D / 1. Satz: Etwas frischer | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 99 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 173 BPM | ||
Concerto for Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 121 BPM | ||
Pictures at an Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM |
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