"Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato" by Lowell Liebermann, Katherine Bryan, Royal Scottish National Orchestra, Paul Daniel was released on September 20, 2010. Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato appears to be safe for all ages as it is not explicit. The track order of this song in Katherine Bryan, Royal Scottish National Orchestra, Paul Daniel's "Liebermann: Flute Concerto - Works by Hüe, Nielsen and Poulenc" album is number 1 out of 9. In terms of popularity, Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato by Lowell Liebermann, Katherine Bryan, Royal Scottish National Orchestra, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Violin Sonata No. 2 in A Major, Op. 100: Allegro amabile | Johannes Brahms, Ilya Kaler, Alexander Peskanov | A Major | 1 | 11B | 90 BPM | ||
Frankenstein, Op. 130, Act II Scene 1: Elizabeth and Victor (Live) | Lowell Liebermann, San Francisco Ballet Orchestra, Martin West | A Major | 3 | 11B | 63 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Suite in an Old Style in A minor, op.10: 1. Presto | Christian Sinding, Ryu Goto, Philharmonia Orchestra, Christopher Warren-Green | D Minor | 1 | 7A | 87 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM | ||
Pezzo capriccioso in B Minor, Op. 62 | Pyotr Ilyich Tchaikovsky, Karoly Botvay, Budapest Strings | C Major | 1 | 8B | 135 BPM | ||
Suite for Flute and Piano Op. 34 No 1: III Romance | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | A♭ Major | 1 | 4B | 83 BPM |
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