"Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso" by Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut was released on March 22, 2024. With Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Paganini: Violin Concerto No. 2 & Rachmaninov: Rhapsody on a Theme of Paganini". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso by Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 5 - Quasi Presto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Anne-Sophie Mutter, Alexis Weissenberg | G Major | 1 | 9B | 147 BPM | ||
Lyric Pieces Book 5, Op. 54: No. 3, March of the Trolls | Edvard Grieg, Stephen Hough | B♭ Major | 0 | 6B | 58 BPM | ||
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Liebesleid | Fritz Kreisler, Sergei Rachmaninoff | A Minor | 0 | 8A | 77 BPM | ||
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
Tippett: Concerto for Double String Orchestra: I. Allegro con brio | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM |
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