"Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi was released on March 15, 2024. Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 3 out of 36. On top of that, France appears to be the country where this track was created. Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.7 in D minor, Op.70: 4. Finale (Allegro) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | B Minor | 2 | 10A | 129 BPM | ||
Bruckner: Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | Anton Bruckner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 0 | 7B | 134 BPM | ||
Miniatures for piano trio: Set 1: No. 3. Allegretto | Frank Bridge, Jack Liebeck, Alexander Chaushian, Ashley Wass | E Minor | 1 | 9A | 82 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 8. Variation 7. Grazioso | Wilhelm Furtwängler | B♭ Major | 2 | 6B | 116 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM | ||
Symphony No. 3, Op. 56, "Scottish": II. Vivace non troppo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | F Major | 0 | 7B | 109 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Final | Camille Saint-Saëns, Michel Plasson, Mikhail Rudy, Tzimon Barto, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 94 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM |
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