- BPM
- 86
- Key
- F Major
- Camelot
- 7B
Cinderella Suite, Op. 87: Act I: Introduction - Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony Information
- Acousticness
- 75%
- Danceability
- 14%
- Energy
- 2%
- Instrumentalness
- 47%
- Liveness
- 8%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 6%
- Loudness
- -26.395 dB
Summary
"Cinderella Suite, Op. 87: Act I: Introduction" by Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony was released on March 1, 2024. The duration of Cinderella Suite, Op. 87: Act I: Introduction is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Cinderella Suite, Op. 87: Act I: Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Prokofiev: Cinderella-Suite, Op. 107". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Cinderella Suite, Op. 87: Act I: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cinderella Suite, Op. 87: Act I: Introduction BPM
With Cinderella Suite, Op. 87: Act I: Introduction by Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Cinderella Suite, Op. 87: Act I: Introduction Key
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | |
 | The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | |
 | Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | |
 | Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | |
 | 8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM | |
 | Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | |
 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 80 BPM | |
 | Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | |
 | Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich) | Mstislav Rostropovich, Sergei Prokofiev, Lynn Harrell, Pavel Gililov | G Major | 3 | 9B | 80 BPM |
- ISRC
- USSM12400548
- Label
- L-M Records/RCA Records
Section: 3.216430902481079
End: 3.2200918197631836