Mstislav Rostropovich, Sergei Prokofiev, Lynn Harrell, Pavel Gililov made "Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich)" available on January 1, 2008. The duration of Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich) is about 3 minutes long, at 3:11. Based on our data, "Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 44 in Cello Music by Various Artists, Neeme Järvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich) by Mstislav Rostropovich, Sergei Prokofiev, Lynn Harrell, Pavel Gililov is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | ||
String Quartet No. 2 in D Major: 3. Notturno | Alexander Borodin, Borodin Quartet | G Minor | 0 | 6A | 112 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Valse nonchalante en Ré-Bémol Majeur, Op. 110 | Camille Saint-Saëns, Anne Queffélec | D♭ Major | 0 | 3B | 68 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Piano Quintet in A Minor, Op. 14: II. Andante sostenuto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | F Major | 0 | 7B | 72 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM |
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