"Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento" by Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel was released on July 15, 2014. With Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Liszt, György Lehel's "Liszt: Dante Symphony" album is number 3 out of 12. On top of that, Hungary appears to be the country where this track was created. The popularity of Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento by Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Symphony in C Minor, Op. 110a: II. Allegro molto - attacca (Orch. Barshai) | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | A♭ Major | 4 | 4B | 119 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Medea (Medee) (Sung in Italian): Act I: Recitative: Taci, Giason (Medea, Giasone) - No. 6. Aria: Dei tuoi figli la madre (Medea) | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 169 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | F♯ Major | 0 | 2B | 46 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 20 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 77 BPM | ||
The Pendulum No.2 | Mark John McEncroe, Budapest Symphony Orchestra, Anthony Armore | G Major | 1 | 9B | 87 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: II. Adagio | Antonín Dvořák, George Szell, Cleveland Orchestra | F Major | 1 | 7B | 103 BPM |
Section: 1.0230953693389893
End: 1.0277769565582275