"Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua" by Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン was released on April 1, 2016. With Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Ravel: Orchestral Works, Vol. 3 – Orchestrations". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Hong Kong. Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua by Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン having a BPM of 46 with a half-time of 23 BPM and a double-time of 92 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Les biches - Suite: Rondeau | Francis Poulenc, Orchestre National De France, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Evgeny Kissin | D♭ Minor | 0 | 12A | 133 BPM | ||
Verklärte Nacht, Op. 4: V. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (II) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
The Planets, Op. 32: 5. Saturn, The Bringer Of Old Age | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Major | 0 | 9B | 132 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte V: Une chambre dans le château | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 126 BPM | ||
Serenade: I. Phaedrus - Pausanias: Lento - Allegro | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM |
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