"Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon?" by Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose was released on October 12, 2003. The duration of Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 37 in Barber: Vanessa by Samuel Barber, Various Artists, Gil Rose. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon?'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vanessa, Op. 32: Act I: Scene 1: Must the winter come so soon? by Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Medea Suite, Op. 23: VI. Kantikos Agonias | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | A Minor | 1 | 8A | 92 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Vanessa, Op. 32: Act III: Scene 1: Take me away | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | B Major | 2 | 1B | 80 BPM | ||
The Firebird Suite (1919 Version): VI. Lullaby | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 0 | 1A | 170 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Missa Brevis: Kyrie | Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 2 | 7A | 96 BPM | ||
Vanessa, Op. 32: Act III: Scene 1: On the path to the lake | Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose | E Minor | 0 | 9A | 77 BPM | ||
Pulcinella: 1. Ouverture: Allegro moderato | Igor Stravinsky, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 127 BPM |
Section: 0.6607229709625244
End: 0.6667590141296387