- BPM
- 80
- Key
- B Major
- Camelot
- 1B
Vanessa, Op. 32: Act III: Scene 1: Take me away - Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose Information
- Acousticness
- 94%
- Danceability
- 22%
- Energy
- 24%
- Instrumentalness
- 0%
- Liveness
- 26%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 0%
- Loudness
- -18.196 dB
Summary
"Vanessa, Op. 32: Act III: Scene 1: Take me away" by Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose was released on October 12, 2003. With Vanessa, Op. 32: Act III: Scene 1: Take me away being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 37 in Barber: Vanessa by Samuel Barber, Various Artists, Gil Rose. Vanessa, Op. 32: Act III: Scene 1: Take me away is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vanessa, Op. 32: Act III: Scene 1: Take me away BPM
The tempo marking of Vanessa, Op. 32: Act III: Scene 1: Take me away by Samuel Barber, Ray Bauwens, Ellen Chickering, Richard Conrad, Marion Dry, Philip Lima, Andrea Matthews, Ukrainian National Capella "Dumka", Gil Rose is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Vanessa, Op. 32: Act III: Scene 1: Take me away Key
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | |
 | The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | |
 | Meditation | Jules Massenet, Anne Akiko Meyers, Andrew Litton | E Minor | 1 | 9A | 86 BPM | |
 | Dances for Harp and Orchestra, L. 103: 2. Danse profane | Lavinia Meijer, Amsterdam Sinfonietta | G Major | 1 | 9B | 142 BPM | |
 | Barber: Piano Sonata Op.26, (ii) Allegro vivace e leggero | Fiachra Garvey, Samuel Barber | C Major | 1 | 8B | 77 BPM | |
 | Chaconne in G Minor | Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser | G Minor | 4 | 6A | 80 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Excursions, Op. 20: III. Allegretto | Samuel Barber, Mira Armij Gill | B Major | 2 | 1B | 107 BPM | |
 | Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | |
 | Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1847670078277588
End: 1.1908249855041504