"Chaconne in G Minor" by Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser was released on 1959. Since Chaconne in G Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vitali: Chaconne in G Minor - Tedesco: The Lark - Fauré: Sonata No. 1, Op. 13, in A by Jascha Heifetz. The song's track number on the album is #1 out of 6 tracks. Based on our data, United States was the country where this track was produced or recorded. Chaconne in G Minor is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Chaconne in G Minor by Tomaso Antonio Vitali, Jascha Heifetz, Richard Ellsasser has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Chaconne in G Minor being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 2. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Major | 5 | 9B | 126 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) | Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta Gulyás | G Major | 1 | 9B | 90 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Melodie From "Orfeo ed Euridice": Melodie From "Orfeo ed Euridice" | Christoph Willibald Gluck, Jascha Heifetz, Emanuel Bay | D Minor | 2 | 7A | 100 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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