"Melodie From "Orfeo ed Euridice": Melodie From "Orfeo ed Euridice"" by Christoph Willibald Gluck, Jascha Heifetz, Emanuel Bay was released on January 1, 2006. The duration of Melodie From "Orfeo ed Euridice": Melodie From "Orfeo ed Euridice" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Melodie From "Orfeo ed Euridice": Melodie From "Orfeo ed Euridice"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jascha Heifetz's "Jascha Heifetz - It Ain't Necessarily So. Legendary classic and jazz studio takes" album is number 19 out of 52. In terms of popularity, Melodie From "Orfeo ed Euridice": Melodie From "Orfeo ed Euridice" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Melodie From "Orfeo ed Euridice": Melodie From "Orfeo ed Euridice" by Christoph Willibald Gluck, Jascha Heifetz, Emanuel Bay to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantabile e Valtz, Op. 19, MS 45 | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 1 | 12B | 71 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo - Allegro | Ludwig van Beethoven, Jascha Heifetz, Charles Münch, Boston Symphony Orchestra | D Major | 1 | 10B | 94 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: IIIa. Allegro molto | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 2 | 8B | 79 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Concerto for Violin and Orchestra no.1 in F sharp minor op.14: 2. Preghiera. Larghetto | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | A Major | 0 | 11B | 60 BPM | ||
Holberg Suite, Op. 40: III. Gavotte (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 84 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM |
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