"Excursions, Op. 20: III. Allegretto" by Samuel Barber, Mira Armij Gill was released on February 9, 2024. The duration of Excursions, Op. 20: III. Allegretto is about 3 minutes long, at 3:15. Based on our data, "Excursions, Op. 20: III. Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in Barber: Piano Works by Samuel Barber, Mira Armij Gill. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Excursions, Op. 20: III. Allegretto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Excursions, Op. 20: III. Allegretto by Samuel Barber, Mira Armij Gill is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Vanessa, Act I Scene 1: No, I cannot understand why… (Vanessa, Erika) | Samuel Barber, Leonard Slatkin, BBC Symphony Orchestra, Christine Brewer, Susan Graham | D♭ Major | 0 | 3B | 89 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Vanessa, Act III Scene 1: Grandmother! (Erika, Baroness) | Samuel Barber, Leonard Slatkin, BBC Symphony Orchestra, Susan Graham, Catherin Wyn-Rogers | D♭ Major | 0 | 3B | 89 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
3 Small Tone Poems: No. 3. Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 95 BPM | ||
XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis | A♭ Minor | 1 | 1A | 173 BPM |
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