Johann Sebastian Bach, Yo-Yo Ma's 'Cello Suite No. 1 in G Major, BWV 1007: I. Prélude' came out on 1983. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in Bach: Cello Suites Nos. 1, 5 & 6 by Johann Sebastian Bach, Yo-Yo Ma. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude by Johann Sebastian Bach, Yo-Yo Ma is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 3 in D Major, BWV 1068: Air | Frank Shipway, Royal Philharmonic Orchestra | D Major | 1 | 10B | 78 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
無伴奏チェロ組曲第1番 ト長調 Bwv 1007: I. Prelude | Johann Sebastian Bach, Mari Fujiwara | B♭ Major | 1 | 6B | 116 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 82 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM |
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