La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes - Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti Information

Acousticness: 98%
Danceability: 20%
Energy: 1%
Instrumentalness: 95%
Liveness: 8%
Loudness: 37%
Speechiness: 4%
Valence: 11%
Popularity: 0%
Loudness: -37.853 dB

Summary

"La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes" by Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti was released on June 1, 2017. The duration of La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes is about 3 minutes long, at 3:01. Based on our data, "La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 16 in Doráti In Holland by Antal Doráti, Royal Concertgebouw Orchestra, Residentie Orkest. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes BPM

The tempo marking of La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes by Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Appalachian Spring: III. Moderato	Aaron Copland, Leonard Bernstein, New York Philharmonic	F♯ Major	0	2B	177 BPM
Berlioz: Benvenuto Cellini, H. 76a, Act 1: "C'est trop fort !" (Fieramosca, Pompeo)	Hector Berlioz, John Nelson, Jean-Francois Lapointe, Ronan Nédélec, Orchestre National De France	A♭ Major	1	4B	83 BPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo	Gustav Holst, English Sinfonia, Howard Griffiths	E Minor	1	9A	132 BPM
Romeo and Juliet, Op. 64 - Act 1: Romeo	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	0	8B	132 BPM
L'italiana in Algeri: Overture	Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado	B♭ Major	2	6B	139 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Minor	1	7A	174 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto	Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra	G Major	2	9B	140 BPM
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro	Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden	F Minor	1	4A	128 BPM
Les biches Suite, FP 36b: I. Rondeau	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	C Major	1	8B	79 BPM

ISRC: NLA505900134
Label: L-M Records/RCA Records

Section: 0.769000768661499

End: 0.7729899883270264