Hector Berlioz, John Nelson, Jean-Francois Lapointe, Ronan Nédélec, Orchestre National De France's 'Berlioz: Benvenuto Cellini, H. 76a, Act 1: "C'est trop fort !" (Fieramosca, Pompeo)' came out on November 1, 2004. The duration of Berlioz: Benvenuto Cellini, H. 76a, Act 1: "C'est trop fort !" (Fieramosca, Pompeo) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Berlioz: Benvenuto Cellini, H. 76a, Act 1: "C'est trop fort !" (Fieramosca, Pompeo)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 63 in Berlioz: Benvenuto Cellini by Hector Berlioz, John Nelson/Orchestre National de France/Patrizia Ciofi/Laurent Naouri/Gregory Kunde, John Nelson, Orchestre National De France. Berlioz: Benvenuto Cellini, H. 76a, Act 1: "C'est trop fort !" (Fieramosca, Pompeo) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Berlioz: Benvenuto Cellini, H. 76a, Act 1: "C'est trop fort !" (Fieramosca, Pompeo) by Hector Berlioz, John Nelson, Jean-Francois Lapointe, Ronan Nédélec, Orchestre National De France is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Phaéton, Op.39 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 80 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM |
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