"The Seven Stars' Symphony, Op. 132: II. Lilian Harvey" by Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh was released on June 3, 2022. The duration of The Seven Stars' Symphony, Op. 132: II. Lilian Harvey is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. The Seven Stars' Symphony, Op. 132: II. Lilian Harvey's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh's "Koechlin: The Seven Stars' Symphony, Op. 132 & Vers la voûte étoilée, Op. 129" album is number 2 out of 8. On top of that, Germany appears to be the country where this track was created. The Seven Stars' Symphony, Op. 132: II. Lilian Harvey is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seven Stars' Symphony, Op. 132: II. Lilian Harvey by Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Movement V: Neuköln | Philip Glass, Dennis Russell Davies, Sinfonieorchester Basel | D♭ Major | 2 | 3B | 153 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": II. Augurs of Spring | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | F Major | 1 | 7B | 108 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | G Major | 4 | 9B | 76 BPM | ||
Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
HFDBMC | KNOXVILLETRACKZ | C Major | 0 | 8B | 87 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Piano Concerto No. 1: II. Andante | Zara Aleksandrovna Levina, Maria Lettberg, Berlin Radio Symphony Orchestra, Ariane Matiakh | E Minor | 0 | 9A | 132 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Piano Concerto in A Minor, Op. 7: I. Allegro Maestoso | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | F Major | 1 | 7B | 110 BPM |
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