"Piano Concerto in A Minor, Op. 7: I. Allegro Maestoso" by Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh was released on September 13, 2019. Since Piano Concerto in A Minor, Op. 7: I. Allegro Maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Clara Schumann: Piano Trio and Concerto by Clara Schumann, Ragna Schirmer. In terms of popularity, Piano Concerto in A Minor, Op. 7: I. Allegro Maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto in A Minor, Op. 7: I. Allegro Maestoso by Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No. 1, Allegro, legato | Ragna Schirmer | C Major | 2 | 8B | 84 BPM | ||
Suite No.1 for 2 Pianos, Op.5: 3. Tears | Sergei Rachmaninoff, Vladimir Ashkenazy, André Previn | G Minor | 0 | 6A | 128 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Lohengrin, WWV 75: Prelude to Act I - Live | Richard Wagner, Gewandhausorchester, Andris Nelsons | A Major | 1 | 11B | 72 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Ivo Pogorelich, London Symphony Orchestra, Claudio Abbado | F♯ Minor | 0 | 11A | 75 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Maria João Pires, Daniel Harding, Swedish Radio Symphony Orchestra | G Major | 0 | 9B | 133 BPM |
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