Franz Schubert, Josephine Knight, Simon Crawford-Phillips's 'Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones)' came out on May 17, 2024. With this song being about 5 minutes long, at 4:39, "Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones)" by Franz Schubert, Josephine Knight, Simon Crawford-Phillips is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Schubert Reimagined". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) by Franz Schubert, Josephine Knight, Simon Crawford-Phillips having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo For Cello And String Orchestra, Op. 9 | Jacques Hétu, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | B♭ Major | 0 | 6B | 111 BPM | ||
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral | E Major | 0 | 12B | 76 BPM | ||
Pastorales 2020: IV. Larghetto | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
El sombrero de tres picos: Danza del molinero (Farruca) [Version for Piano, with introduction transcribed by Alessio Bax] | Manuel de Falla, Alessio Bax | A Minor | 1 | 8A | 107 BPM | ||
4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) | Franz Schubert, Josephine Knight, The Gesualdo Six | A Major | 0 | 11B | 76 BPM | ||
Divertimento: II. Lento | Leo Smit, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Cage: A Valentine out of Season: Movement I | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM |
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