Irving Fine, Gerard Schwarz, New York Chamber Symphony's 'Notturno for Strings and Harp: Lento' came out on November 1, 2005. The duration of Notturno for Strings and Harp: Lento is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Notturno for Strings and Harp: Lento's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Irving Fine, Gerard Schwarz's "Irving Fine: Notturno, Partita, String Quartet; The Hour Glass" album is number 2 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Notturno for Strings and Harp: Lento's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Notturno for Strings and Harp: Lento by Irving Fine, Gerard Schwarz, New York Chamber Symphony to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 186 BPM | ||
Belshazzar's Feast, JS 48: Act I: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 69 BPM | ||
Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei | Anton Bruckner, Ensemble Altera, Christopher Lowrey, James Kennerley | B♭ Minor | 1 | 3A | 78 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Lament (From the Hour-Glass) | Irving Fine, Khorikos | A♭ Major | 0 | 4B | 131 BPM | ||
A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
Lyric Pieces, Op. 62: No. 5, Phantom (Arr. for Clarinet & Piano by Ottensamer / Traxler) | Edvard Grieg, Daniel Ottensamer | A Minor | 0 | 8A | 69 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Trois mouvements perpétuels, FP 14b: I. Assez modéré | Francis Poulenc, Manchester Camerata, John Andrews | B♭ Major | 0 | 6B | 138 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
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