"Belshazzar's Feast, JS 48: Act I: Alla marcia" by Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam was released on July 3, 2015. The duration of Belshazzar's Feast, JS 48: Act I: Alla marcia is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Belshazzar's Feast, JS 48: Act I: Alla marcia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sibelius: Belshazzar's Feast & Other Orchestral Pieces". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Belshazzar's Feast, JS 48: Act I: Alla marcia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Belshazzar's Feast, JS 48: Act I: Alla marcia by Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
5 Bagatelles for clarinet and piano, Op. 23: 1. Prelude - Allegro deciso | Gerald Finzi, Emma Johnson, Malcolm Martineau | C Major | 1 | 8B | 81 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Firestorm Symphony: III. All the Trees Are Growing | Margaret Brandman, Moravian Philharmonic Orchestra, Petr Vronsky | A Major | 0 | 11B | 124 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro | Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck | A♭ Major | 0 | 4B | 95 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso III | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino | Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann | D Major | 2 | 10B | 107 BPM |
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