"Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile" by Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral was released on August 25, 2023. With Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral's "Ludwig van Beethoven: Complete Sonatas and Variations for Cello and Piano" album is number 3 out of 20. On top of that, Italy appears to be the country where this track was created. Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile by Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM | ||
First Meeting (Souvenir) | Eric Coates, Timothy Ridout, James Baillieu | F Major | 1 | 7B | 77 BPM | ||
Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | B♭ Major | 0 | 6B | 68 BPM | ||
Apollon Musagète, K. 048: VII. Variation d'Apollon | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM | ||
Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Trio Zeliha, Manon Galy, Maxime Quennesson, Jorge Gonzalez Buajasan | C Minor | 0 | 5A | 72 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 21 in D-Flat Major. Andante – Più vivo | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
Erlkönig, S. 558 No. 4 (Arr. for Piano After Schubert, D. 328) | Franz Liszt, Hai-Kyung Suh | G Minor | 2 | 6A | 106 BPM | ||
Sicilenne | Maria von Paradis, Louise-Andrée Baril, Thérèse Motard | E♭ Major | 0 | 5B | 70 BPM |
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