Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act I - "12. Pas de Trois des Odalisques: Coda: Odalisques"" available on October 14, 2011. With Le Corsaire: Act I - "12. Pas de Trois des Odalisques: Coda: Odalisques" being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 12 out of 70. Le Corsaire: Act I - "12. Pas de Trois des Odalisques: Coda: Odalisques" is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Corsaire: Act I - "12. Pas de Trois des Odalisques: Coda: Odalisques" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 179 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
Giselle: Act II: Valse | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 85 BPM | ||
Pesther Csárdás Op. 23 | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 1 | 8B | 147 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Bitte schon, Polka | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 4 | 8B | 167 BPM | ||
Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM | ||
Elektromagnetische Polka, Op. 110 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 90 BPM | ||
Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
Wo die Zitronen blüh'n, Walzer, Op. 364 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 1 | 9B | 95 BPM |
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