Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia made "Giselle: Act II: Valse" available on November 3, 1994. With Giselle: Act II: Valse being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. Giselle: Act II: Valse is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Giselle: Act II: Valse by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Giselle: Act II: Lever du soleil et arrivee de la cour (Sunrise and the Arrival of the Court) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 63 BPM | ||
Giselle: Act II: Apparition de Myrthe et evocation magique (Myrthe Appears - Magical Evocation) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 79 BPM | ||
Ballet Suite No. 2 (Ed. Lev Atovmyan): V. Spring Waltz (Michurin) | Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra | B Minor | 1 | 10A | 68 BPM | ||
The Ghost of Frankenstein (arr. J. Morgan): Main Title | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B♭ Major | 2 | 6B | 64 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
La primavera, P. 136: Invocazione | Ottorino Respighi, Miroslav Dvorský, Richard Haan, Vladimir Kubovcik, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | D♭ Major | 2 | 3B | 84 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Concerto in modo misolidio, P. 145: Lento | Ottorino Respighi, Konstantin Scherbakov, Slovak Radio Symphony Orchestra, Howard Griffiths | B♭ Minor | 0 | 3A | 74 BPM | ||
Romeo and Juliet, Op. 64: Act I: Dance of the Knights | Sergei Prokofiev, Ukraine National Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 96 BPM |
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