Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall's 'Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo' came out on February 5, 1988. With this song being about 5 minutes long, at 4:52, "Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo" by Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall's "Mendelssohn: Symphony No. 4 / A Midsummer Night's Dream (Excerpts)" album is number 6 out of 9. On top of that, Hong Kong appears to be the country where this track was created. Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo by Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice | Hector Berlioz, Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 78 BPM | ||
Symphony No. 5, "The Reformation", Op. 107: III. Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | G Minor | 0 | 6A | 110 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Water Music Suite No. 2 in D, HWV 349: IV. Andante, Allegro | George Frideric Handel, Oliver von Dohnanyi, Slovak Philharmonic | B Major | 2 | 1B | 93 BPM | ||
Trout Quintet: Scherzo | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
Carmen Suite No. 2: II. Habanera | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Major | 0 | 10B | 133 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM |
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