Georges Bizet, Slovak Philharmonic, Anthony Bramall made "Carmen Suite No. 2: II. Habanera" available on February 5, 1988. The duration of Carmen Suite No. 2: II. Habanera is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Carmen Suite No. 2: II. Habanera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Bizet: Carmen Suites Nos. 1 and 2 / L'Arlesienne Suites Nos. 1 and 2 by Georges Bizet, Slovak Philharmonic, Anthony Bramall. Based on our statistics, Carmen Suite No. 2: II. Habanera's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen Suite No. 2: II. Habanera by Georges Bizet, Slovak Philharmonic, Anthony Bramall is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
3rd Movement: Scherzo | London Philharmonic Orchestra | C Major | 1 | 8B | 118 BPM | ||
Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM | ||
Carmen Suite No. 2: Habanera | London Philharmonic Orchestra | D Major | 0 | 10B | 121 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Tarantella in D Minor, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 164 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM |
Section: 0.6738290786743164
End: 0.6780951023101807