Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra made "Etudes: XII. Mazurka" available on February 1, 1996. The duration of Etudes: XII. Mazurka is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Etudes: XII. Mazurka's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Riisager: Etudes". In this album, this song's track order is #18. Based on our statistics, Etudes: XII. Mazurka's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Etudes: XII. Mazurka by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Ancient Airs And Dances, Suite No. 3, [P. 172]: 4. Passacaglia | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
The Mandalorian | Ludwig Goransson, Danish National Symphony Orchestra, Antony Hermus | F Minor | 4 | 4A | 82 BPM | ||
Alien-Theme (From "Alien") | John Williams, Danish National Symphony Orchestra, Antony Hermus | G Major | 4 | 9B | 91 BPM | ||
Solomon Lane (From "Mission: Impossible, Rogue Nation") | Joe Kraemer, Danish National Symphony Orchestra, Hans Ek | A Minor | 1 | 8A | 169 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM | ||
Etudes: IX. Piqués et grands pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM |
Section: 0.6483020782470703
End: 0.6526594161987305