"Le carnaval des animaux, R. 125: V. L'Eléphant" by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm was released on January 1, 2009. With Le carnaval des animaux, R. 125: V. L'Eléphant being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Le carnaval des animaux, R. 125: V. L'Eléphant is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le carnaval des animaux, R. 125: V. L'Eléphant by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux, R. 125: IV. Tortues | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 87 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Symphony No. 6 in D, Op. 60: 3. Scherzo (Furiant: Presto) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | G Minor | 1 | 6A | 101 BPM | ||
3 Pieces for Orchestra, Op. 6: No. 2, Reigen | Alban Berg, Wiener Philharmoniker, Claudio Abbado | D Minor | 1 | 7A | 94 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Zigeunertanz aus "Die Perle von Iberien" | Joseph Hellmesberger, Jr., Wiener Philharmoniker, Franz Welser-Möst | C Major | 5 | 8B | 141 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Furioso-Galopp nach Liszt's Motiven, Op.114 | Johann Strauss I, Wiener Philharmoniker, Franz Welser-Möst | G Major | 5 | 9B | 89 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM |
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