"3 Pieces for Orchestra, Op. 6: No. 2, Reigen" by Alban Berg, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1995. 3 Pieces for Orchestra, Op. 6: No. 2, Reigen is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 10 out of 11 in Berg: Three Orchestral Pieces by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 3 Pieces for Orchestra, Op. 6: No. 2, Reigen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Pieces for Orchestra, Op. 6: No. 2, Reigen by Alban Berg, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace) | Sergei Prokofiev, YUNDI, Berliner Philharmoniker, Seiji Ozawa | F♯ Minor | 2 | 11A | 100 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Poulenc: Piano Concerto in C-Sharp Minor, FP 146: III. Rondeau à la française | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | F♯ Major | 1 | 2B | 79 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Divertimento for Strings, BB 118 (Sz.113): III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell | E Minor | 1 | 9A | 125 BPM |
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