Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov made "Don Quixote: Act II: Gypsy Dance I" available on February 24, 2004. With Don Quixote: Act II: Gypsy Dance I being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 6 out of 59. Based on our statistics, Don Quixote: Act II: Gypsy Dance I's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Quixote: Act II: Gypsy Dance I by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 14, Danse de la flûte | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 134 BPM | ||
Graduation Ball - Arranged by A. Dorati from various Strauss works: Divertimenti: 4. Virtuoso Polka | Johann Strauss II, Wiener Philharmoniker, Antal Doráti | F Major | 1 | 7B | 106 BPM | ||
Schwanensee, Op. 20: Act III: Allegro moderato: Women's Variation | Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov | E Major | 0 | 12B | 85 BPM | ||
Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
Don Quixote: Act II: Gypsy Dance I | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Major | 1 | 12B | 141 BPM | ||
Les Sylphides: 7. Valse in C♯ minor, Op. 64, No. 2 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 100 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
Don Quixote: Act III: Basilio's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 83 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM |
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