Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik made "Le Corsaire : Act III, Scene II The Lively Garden, No.58 Coda" available on January 1, 2003. The duration of Le Corsaire : Act III, Scene II The Lively Garden, No.58 Coda is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Le Corsaire : Act III, Scene II The Lively Garden, No.58 Coda's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Le Corsaire : Act III, Scene II The Lively Garden, No.58 Coda's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Le Corsaire : Act III, Scene II The Lively Garden, No.58 Coda by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Raymonda, Act II: Variaiton 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 92 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | B Major | 1 | 1B | 88 BPM | ||
Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Liebesgrüße, Walzer, Op. 56 | Josef Strauss, Andris Nelsons, Wiener Philharmoniker | C Major | 1 | 8B | 181 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 14, Danse de la flûte | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 134 BPM | ||
Riccardo Drigo: Serenade aus dem Ballett " Die Millionen des Harlekin " | Wiener Promenaden-Orchester, Hans Hagen | A Major | 1 | 11B | 140 BPM |
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