London Festival Orchestra Alfred Scholz made "Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2)" available on January 1, 2009. With this song being about 5 minutes long, at 4:33, "Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2)" by London Festival Orchestra Alfred Scholz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Based on our statistics, Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) by London Festival Orchestra Alfred Scholz is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sylphides: 2. Nocturne in A♭ major, Op. 32, No. 2 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 91 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | ||
Gaîté parisienne: Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 137 BPM | ||
Banditenstreiche: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 117 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Thaïs: Méditation | London Philharmonic Orchestra, Pieter Schoeman | D Major | 2 | 10B | 124 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: IV. March No. 4 in G Major (Allegro marziale - Nobilmente) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 3 | 8B | 110 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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