Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan made "Gaîté parisienne: Overture" available on January 1, 1998. The duration of Gaîté parisienne: Overture is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Gaîté parisienne: Overture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Offenbach: La Gaité parisienne; Chopin: Les Sylphides; Delibes: Coppelia". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Gaîté parisienne: Overture's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Gaîté parisienne: Overture by Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jalousie! | Jacques Offenbach, Mariam Sarkissian, Fanny Crouet, Daniel Propper | D Major | 2 | 10B | 141 BPM | ||
Apollon Musagète (1947 Version) / Second Tableau: Apothéose Largo e tranquilo | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Finale | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 77 BPM | ||
Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 88 BPM | ||
Symphony No.9 In D / 4. Satz: Stets sehr gehalten | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 79 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 1. Andante - Allegro ma non troppo | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 131 BPM | ||
Piano Concerto No. 1 in B Flat Minor, Op. 23, TH. 55: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter, Wiener Symphoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 82 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM |
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