"Apollon Musagète (1947 Version) / Second Tableau: Apothéose Largo e tranquilo" by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1986. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Stravinsky: Le Sacre du Printemps; Apollo". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Germany. Apollon Musagète (1947 Version) / Second Tableau: Apothéose Largo e tranquilo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Apollon Musagète (1947 Version) / Second Tableau: Apothéose Largo e tranquilo by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Petrouchka: Le paysan et l'ours | Ferenc Fricsay, Berliner Philharmoniker | D Minor | 2 | 7A | 101 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Sarah Chang, Mariss Jansons, Berliner Philharmoniker | D Major | 3 | 10B | 96 BPM | ||
Sibelius: Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | F♯ Major | 2 | 2B | 76 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 4. Langsam - Lebhaft - Schneller - Presto | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 74 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation II: Più vivace | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 107 BPM | ||
The Rake's Progress: Act III Scene 1: Duet: You love him, seek to set him right… (Baba, Anne, Sellem, Chorus) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | B♭ Minor | 1 | 3A | 71 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Strauss II, J: Die Tauben von San Marco, Op. 414 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 1 | 10B | 177 BPM |
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