Giuseppe Verdi, Francesco Albanese, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI made "Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus)" available on 1954. With Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #30 out of 44 tracks. In terms of popularity, Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus) by Giuseppe Verdi, Francesco Albanese, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus) being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
La Bohème / Act 2: "Quando m'en vo" - Live | Giacomo Puccini, Nicole Cabell, Anna Netrebko, Rolando Villazón, Boaz Daniel, Stéphane Degout, Tiziano Bracci, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | A Major | 2 | 11B | 171 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM |
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