Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano made "Il Barbiere di Siviglia: Largo al factotum" available on 1982. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 42 in the song's album "Rossini: Il barbiere di Siviglia - The Sony Opera House". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Il Barbiere di Siviglia: Largo al factotum is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il Barbiere di Siviglia: Largo al factotum by Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivere | Cesare Andrea Bixio, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | D Major | 5 | 10B | 109 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Rigoletto / Act 3: "La donna è mobile" - Live | Giuseppe Verdi, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | F Major | 4 | 7B | 0 BPM | ||
Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "All'idea di quel metallo" (Figaro, Almaviva) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | D Major | 3 | 10B | 91 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Sì. Mi chiamano Mimi | Giacomo Puccini, Anna Moffo, Tullio Serafin | D Major | 1 | 10B | 79 BPM | ||
Simon Boccanegra / Prologue: Suona ogni labbro il mio nome (Simone, Fiesco) | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 4 | 10B | 108 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM |
Section: 0.7217059135437012
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