"Rigoletto / Act 3: "La donna è mobile" - Live" by Giuseppe Verdi, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 2002. The duration of Rigoletto / Act 3: "La donna è mobile" - Live is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Rigoletto / Act 3: "La donna è mobile" - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Three Tenors - The Best of the 3 Tenors". In this album, this song's track order is #22. Rigoletto / Act 3: "La donna è mobile" - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto / Act 3: "La donna è mobile" - Live by Giuseppe Verdi, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Torna a Surriento - Live | Ernesto de Curtis, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Minor | 3 | 2A | 84 BPM | ||
Caruso (Arr. Bohets) - Live | Lucio Dalla, Luciano Pavarotti, Orchestre de Paris, James Levine | F♯ Minor | 1 | 11A | 112 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM | ||
Sous le ciel de Paris (Arr. Schifrin) - Live | Hubert Yves Adrien Giraud, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A Minor | 3 | 8A | 134 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) | Luciano Pavarotti, Renata Scotto | B♭ Major | 3 | 6B | 97 BPM | ||
Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica di Roma della RAI, Plácido Domingo | A♭ Major | 0 | 4B | 181 BPM |
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