"Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi)" by Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica di Roma della RAI, Plácido Domingo was released on April 29, 2008. The duration of Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi)" is a single. The popularity of Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi) by Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica di Roma della RAI, Plácido Domingo is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Aida / Act 1: Celeste Aida | Giuseppe Verdi, Andrea Bocelli, Israel Philharmonic Orchestra, Zubin Mehta | B♭ Major | 1 | 6B | 82 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B Major | 2 | 1B | 142 BPM | ||
Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM |
Section: 0.6737308502197266
End: 0.6779942512512207