"Caruso (Arr. Bohets) - Live" by Lucio Dalla, Luciano Pavarotti, Orchestre de Paris, James Levine was released on 1998. Caruso (Arr. Bohets) - Live is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 26 in the song's album "The Three Tenors - Paris 1998". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Caruso (Arr. Bohets) - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Caruso (Arr. Bohets) - Live by Lucio Dalla, Luciano Pavarotti, Orchestre de Paris, James Levine having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An American Hymn | Alessandro Safina | A Major | 4 | 11B | 112 BPM | ||
Granada | Jon Secada, Luciano Pavarotti, Orchestra filarmonica di Torino, Marco Armiliato | E♭ Major | 5 | 5B | 176 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
William Tell - Italian version / Act 4: "Tutto cangia, il ciel s'abbella" | Gioachino Rossini, Sherrill Milnes, Elizabeth Connell, Della Jones, Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Ambrosian Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | D Minor | 2 | 7A | 174 BPM | ||
Norma / Act 1: Casta Diva - Excerpt | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F♯ Major | 1 | 2B | 81 BPM | ||
Caro Nome Che Il Mio Cor (Traviata) | José van Dam | A♭ Major | 1 | 4B | 78 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Il Gladiatore | Hans Zimmer, Luciano Pavarotti, Bulgarian Symphony Choir, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra, Rob Mathes | E Minor | 4 | 9A | 84 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Baby, can I hold you tonight | Tracy Chapman, Luciano Pavarotti, Orchestra Sinfonica Italiana, José Molina | D Major | 6 | 10B | 72 BPM |
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