Elisabeth Grümmer, Erika Köth, Sir Georg Solti's 'Die Zauberflöte: Act 1 - Hm! Hm! Hm!' came out on March 25, 2009. Die Zauberflöte: Act 1 - Hm! Hm! Hm! is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #10 out of 48 tracks. In terms of popularity, Die Zauberflöte: Act 1 - Hm! Hm! Hm! is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Zauberflöte: Act 1 - Hm! Hm! Hm! by Elisabeth Grümmer, Erika Köth, Sir Georg Solti has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Zauberflöte: Act 1 - Hm! Hm! Hm! being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, FP 144: 4. Domini Fili Unigenite | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 2 | 9B | 113 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Gott! - Welch Dunkel hier! | Ludwig van Beethoven, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 0 | 4B | 83 BPM | ||
Semele / Act 1: Endless pleasure... | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 81 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Offenbach: Die schöne Helena (Gesamt) 1. Akt (1994 Digital Remaster): Nr. 7b: Ich bin Ajax, Held im Kriege | Jacques Offenbach, Bavarian Radio Chorus, Brigitte Fassbaender, Martin Finke, Ferry Gruber, Klaus Hirte, Benno Kusche (Bariton), Norbert Orth, Willy Mattes, Friedrich Lenz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Major | 4 | 10B | 80 BPM | ||
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" | Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 85 BPM | ||
Rossini: Otello, Act 2: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | F Major | 4 | 7B | 140 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | E Major | 5 | 12B | 85 BPM | ||
Cantata »Ich geh und suche mit Verlangen«, BWV 49: VI. Duetto (Sopran & Bass): Dich hab ich je und je geliebet | Johann Sebastian Bach, Christoph Birkmann, Philipp Nicolai, Miriam Feuersinger, Klaus Mertens, Ensemble der »Bachkantaten in Vorarlberg« | E♭ Minor | 1 | 2A | 132 BPM | ||
Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM |
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