- BPM
- 71
- Key
- A♭ Major
- Camelot
- 4B
Stabat Mater: 6. Sancta Mater istud agas - Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini Information
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 11%
- Instrumentalness
- 2%
- Liveness
- 6%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 4%
- Loudness
- -21.309 dB
Summary
"Stabat Mater: 6. Sancta Mater istud agas" by Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini was released on January 1, 1982. Since Stabat Mater: 6. Sancta Mater istud agas is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rossini: Stabat Mater". In this album, this song's track order is #6. Stabat Mater: 6. Sancta Mater istud agas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Stabat Mater: 6. Sancta Mater istud agas BPM
With Stabat Mater: 6. Sancta Mater istud agas by Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Stabat Mater: 6. Sancta Mater istud agas Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | |
 | Otello, ossia Il moro di Venezia: Act III: Scene, Air, Duet and Finale III: Ah!… Dagli affanni oppressa (Desdemona, Emilia) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | |
 | Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | |
 | Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | |
 | Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | |
 | Stabat Mater: Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | |
 | Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne. Con moto tranquillo | Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra | E Major | 0 | 12B | 74 BPM | |
 | Verdi: Messa da Requiem: II. Sequence, 8. Ingemisco (Tenor) | Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker | C Minor | 1 | 5A | 172 BPM | |
 | 4 Letzte Lieder, TrV 296: No. 1, Frühling | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | A Major | 2 | 11B | 77 BPM | |
 | Tchaikovsky: Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca (Allegro moderato e semplice) - 1986 Digital Remaster | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Riccardo Muti | G Minor | 2 | 6A | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7652616500854492
End: 0.7747180461883545