"Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne. Con moto tranquillo" by Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra was released on January 1, 1961. Since Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne. Con moto tranquillo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra's "Mendelssohn: A Midsummer Night's Dream, Op. 61" album is number 6 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne. Con moto tranquillo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne. Con moto tranquillo by Felix Mendelssohn, Otto Klemperer, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 95 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM |
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