Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso's 'L'italiana in Algeri: Overture' came out on January 1, 1964. Since L'italiana in Algeri: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 34 in the song's album "Rossini: L'Italiana in Algeri". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. L'italiana in Algeri: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'italiana in Algeri: Overture by Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variazzioni di clarinetto in C Major | Gioachino Rossini, Prague Philharmonia, Jiří Bělohlávek, Ludmila Peterková | C Major | 1 | 8B | 128 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
La pietra del paragone (The Touchstone): Act I: Cavatina: Se di certo io non sapessi (Conte) | Gioachino Rossini, Agata Bienkowska, Anna Rita Gemmabella, Anke Herrmann, Raffaele Constantini, Alessandro Codeluppi, Dariusz Machej, Gioacchino Zarrelli, Teru Yoshihara, Alessandro De Marchi, Czech Chamber Choir, Czech Chamber Soloists, Brno | D Major | 2 | 10B | 97 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
La pietra del paragone (The Touchstone): Act I: Recitative and Duet: Perche? Perche vorrei che l'eco fosse (Conte, Clarice) | Gioachino Rossini, Agata Bienkowska, Anna Rita Gemmabella, Anke Herrmann, Raffaele Constantini, Alessandro Codeluppi, Dariusz Machej, Gioacchino Zarrelli, Teru Yoshihara, Alessandro De Marchi, Czech Chamber Choir, Czech Chamber Soloists, Brno | D Major | 2 | 10B | 97 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
Section: 0.6642153263092041
End: 0.6685571670532227