"Cantata »Ich geh und suche mit Verlangen«, BWV 49: VI. Duetto (Sopran & Bass): Dich hab ich je und je geliebet" by Johann Sebastian Bach, Christoph Birkmann, Philipp Nicolai, Miriam Feuersinger, Klaus Mertens, Ensemble der »Bachkantaten in Vorarlberg« was released on October 20, 2023. With this song being about 5 minutes long, at 4:50, "Cantata »Ich geh und suche mit Verlangen«, BWV 49: VI. Duetto (Sopran & Bass): Dich hab ich je und je geliebet" by Johann Sebastian Bach, Christoph Birkmann, Philipp Nicolai, Miriam Feuersinger, Klaus Mertens, Ensemble der »Bachkantaten in Vorarlberg« is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 15 in Dialog-Kantaten by Johann Sebastian Bach, Miriam Feuersinger, Klaus Mertens, Ensemble der »Bachkantaten in Vorarlberg«. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Cantata »Ich geh und suche mit Verlangen«, BWV 49: VI. Duetto (Sopran & Bass): Dich hab ich je und je geliebet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata »Ich geh und suche mit Verlangen«, BWV 49: VI. Duetto (Sopran & Bass): Dich hab ich je und je geliebet by Johann Sebastian Bach, Christoph Birkmann, Philipp Nicolai, Miriam Feuersinger, Klaus Mertens, Ensemble der »Bachkantaten in Vorarlberg« is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM |
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