Michael Haydn, Jörg Baumann made "Haydn, Michael / Arr Stoll : Polonaise in C major" available on 1980. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Original Works & Classics for Cello & Double Bass (APEX)". In this album, this song's track order is #16. In terms of popularity, Haydn, Michael / Arr Stoll : Polonaise in C major is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Haydn, Michael / Arr Stoll : Polonaise in C major by Michael Haydn, Jörg Baumann having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde | E Minor | 0 | 9A | 92 BPM | ||
Trombone Concerto in D Major: I. Andantino | Michael Haydn, Alain Trudel, Royal Northern Sinfonia | D Minor | 0 | 7A | 96 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
3 Mélodies, Op. 4: No. 2, Allegretto | Fanny Mendelssohn, David Kadouch | A♭ Major | 1 | 4B | 132 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Symphony No. 10 in F Major, MH 51: II. Andante | Michael Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer, Philharmonia, English String Orchestra | E Minor | 0 | 9A | 76 BPM | ||
Missa Sancti Hieronymi: V. Et resurrexit: Presto | Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden | C Minor | 0 | 5A | 74 BPM | ||
Violin Sonata No. 23 in D Major, K. 306: II. Andantino cantabile | Wolfgang Amadeus Mozart, Takako Nishizaki, Jenő Jandó | G Major | 0 | 9B | 101 BPM |
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