"Missa Sancti Hieronymi: V. Et resurrexit: Presto" by Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden was released on February 28, 1998. With this song being about 5 minutes long, at 5:22, "Missa Sancti Hieronymi: V. Et resurrexit: Presto" by Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Haydn, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden's "Haydn, M.: Sacred Choral Music" album is number 5 out of 14. On top of that, Sweden appears to be the country where this track was created. Missa Sancti Hieronymi: V. Et resurrexit: Presto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Sancti Hieronymi: V. Et resurrexit: Presto by Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Missa Quadragesimalis, MH 552: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 174 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Jubilate Deo omnis terra, Ch.136 (Arr. for Choir & Chamber Orchestra) | Giovanni Gabrieli, The Cambridge Singers, La Nuova Musica, John Rutter | B Major | 1 | 1B | 67 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Ockeghem: Missa pro Defunctis: I. Requiem aeternam | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | F Major | 0 | 7B | 83 BPM | ||
Trumpet Concerto No. 1 in C Major, P. 34: II. Allegro molto | Michael Haydn, Franz Landlinger, Salzburger Hofmusik, Wolfgang Brunner | G Major | 0 | 9B | 88 BPM |
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