Michael Haydn, Franz Landlinger, Salzburger Hofmusik, Wolfgang Brunner's 'Trumpet Concerto No. 1 in C Major, P. 34: II. Allegro molto' came out on October 7, 2014. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Haydn, Salzburger Hofmusik, Wolfgang Brunner's "Michael Haydn: Complete Wind Concertos, Vol. 2" album is number 9 out of 13. On top of that, Germany appears to be the country where this track was created. Trumpet Concerto No. 1 in C Major, P. 34: II. Allegro molto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trumpet Concerto No. 1 in C Major, P. 34: II. Allegro molto by Michael Haydn, Franz Landlinger, Salzburger Hofmusik, Wolfgang Brunner to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In C Major: XIV. Offertorium, Domine Jes | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent Gregoire | A Major | 1 | 11B | 0 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Benedictus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | D Major | 2 | 10B | 75 BPM | ||
Allegri: Miserere - 06. Cor Mundum Crea in Me | The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 77 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Minor | 1 | 6A | 63 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Major | 2 | 8B | 79 BPM | ||
Missa Sancti Hieronymi: VII. Benedictus: Allegretto | Michael Haydn, Ulf Söderberg, St. Jacob's Chamber Choir, Ensemble PhilidOr, Gary Graden | B Major | 1 | 1B | 78 BPM |
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